{"id":131,"date":"2025-06-10T14:00:59","date_gmt":"2025-06-10T14:00:59","guid":{"rendered":"https:\/\/atomsofsound.org\/?page_id=131"},"modified":"2026-06-29T14:36:30","modified_gmt":"2026-06-29T18:36:30","slug":"features","status":"publish","type":"page","link":"https:\/\/atomsofsound.org\/?page_id=131","title":{"rendered":"Features"},"content":{"rendered":"\n

A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> L<\/a> M<\/a> N<\/a> O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a><\/h2>\n\n\n\n

A<\/h2>\n\n\n\n
\n\n\n\n

Abrupt<\/a><\/p>\n\n\n\n

Accented<\/a><\/p>\n\n\n\n

Acute<\/a><\/p>\n\n\n\n

Advanced Tongue Root (ATR)<\/p>\n\n\n\n

Anterior<\/a><\/p>\n\n\n\n

Approximant<\/p>\n\n\n\n

Articulator-bound Features<\/a><\/p>\n\n\n\n

Articulator-free Features<\/a><\/p>\n\n\n\n

Aspiration<\/p>\n\n\n\n

B<\/h2>\n\n\n\n
\n\n\n\n

Back<\/a><\/p>\n\n\n\n

Binary<\/p>\n\n\n\n

C<\/h2>\n\n\n\n
\n\n\n\n

Cavity Features<\/p>\n\n\n\n

Checked<\/a><\/p>\n\n\n\n

Chomsky-Halle Feature System<\/a><\/p>\n\n\n\n

Compact<\/a><\/p>\n\n\n\n

Concave Pitch<\/p>\n\n\n\n

Configurational Features<\/p>\n\n\n\n

Consonant<\/p>\n\n\n\n

Consonantal<\/a><\/p>\n\n\n\n

Constricted Glottis<\/a><\/p>\n\n\n\n

Constricted Pharynx<\/p>\n\n\n\n

Continuant<\/a><\/p>\n\n\n\n

Continuous<\/a><\/p>\n\n\n\n

Continuousness<\/a><\/p>\n\n\n\n

Coronal<\/a><\/p>\n\n\n\n

Covered<\/a><\/p>\n\n\n\n

C-place<\/p>\n\n\n\n

D<\/h2>\n\n\n\n
\n\n\n\n

Delayed Release Primary<\/p>\n\n\n\n

Delayed Release Secondary Closure<\/p>\n\n\n\n

Diffuse<\/p>\n\n\n\n

Diluted<\/a><\/p>\n\n\n\n

Discontinuous<\/p>\n\n\n\n

Distinctive feature<\/a><\/p>\n\n\n\n

Distributed<\/a><\/p>\n\n\n\n

Dorsal<\/p>\n\n\n\n

E<\/h2>\n\n\n\n
\n\n\n\n

Ejection <\/p>\n\n\n\n

Elevated pitch<\/a><\/p>\n\n\n\n

Envelope Features<\/p>\n\n\n\n

Expressive Features<\/p>\n\n\n\n

Extra<\/p>\n\n\n\n

Extra Flat<\/p>\n\n\n\n

F<\/h2>\n\n\n\n
\n\n\n\n

Falling Pitch<\/a><\/p>\n\n\n\n

Feature Geometry<\/p>\n\n\n\n

Flap<\/p>\n\n\n\n

Flat<\/a><\/p>\n\n\n\n

Front<\/p>\n\n\n\n

Force Features<\/p>\n\n\n\n

Fortis<\/p>\n\n\n\n

Fundamental Source Features<\/a><\/p>\n\n\n\n

G<\/h2>\n\n\n\n
\n\n\n\n

Glottal Constriction<\/a><\/p>\n\n\n\n

Glottalic<\/a><\/p>\n\n\n\n

Glottis Features<\/p>\n\n\n\n

Grave<\/a><\/p>\n\n\n\n

Gravity<\/a><\/p>\n\n\n\n

H<\/h2>\n\n\n\n
\n\n\n\n

Height<\/p>\n\n\n\n

Heightened Subglottal Pressure (HSP)<\/p>\n\n\n\n

High<\/a><\/p>\n\n\n\n

High Pitch<\/p>\n\n\n\n

High-tone<\/p>\n\n\n\n

I<\/h2>\n\n\n\n
\n\n\n\n

Implosion<\/p>\n\n\n\n

Implosive<\/p>\n\n\n\n

Inherent Features<\/a>s<\/p>\n\n\n\n

Instantaneous Release<\/a><\/p>\n\n\n\n

Instantaneous Release Primary Closure<\/p>\n\n\n\n

Instantaneous Release Secondary Closure <\/p>\n\n\n\n

Intercepted<\/a><\/p>\n\n\n\n

Interception<\/a><\/p>\n\n\n\n

Interrupted<\/a><\/p>\n\n\n\n

J<\/h2>\n\n\n\n
\n\n\n\n

Jakobsonian Feature System<\/a><\/p>\n\n\n\n

L<\/h2>\n\n\n\n
\n\n\n\n

Labial<\/p>\n\n\n\n

Labiodental<\/p>\n\n\n\n

Laryngeal<\/p>\n\n\n\n

Laryngeal Features<\/p>\n\n\n\n

Lateral<\/p>\n\n\n\n

Lax<\/a><\/p>\n\n\n\n

Length<\/p>\n\n\n\n

Lenis<\/p>\n\n\n\n

Lingual<\/p>\n\n\n\n

Lip Feature<\/p>\n\n\n\n

Long<\/p>\n\n\n\n

Low<\/a><\/p>\n\n\n\n

Low Tone<\/a><\/p>\n\n\n\n

Low tonality<\/p>\n\n\n\n

M<\/h2>\n\n\n\n
\n\n\n\n

Major Articulators <\/p>\n\n\n\n

Major Class Features<\/a><\/p>\n\n\n\n

Mellow<\/p>\n\n\n\n

Minor Articulators<\/p>\n\n\n\n

Monovalent<\/p>\n\n\n\n

Movement of Glottal Closure<\/p>\n\n\n\n

N<\/h2>\n\n\n\n
\n\n\n\n

Nasal<\/a><\/p>\n\n\n\n

Nasality<\/a><\/p>\n\n\n\n

Nonback<\/a><\/p>\n\n\n\n

Non-compact<\/p>\n\n\n\n

Nonconsonantal<\/p>\n\n\n\n

Noncoronal<\/a><\/p>\n\n\n\n

Non-diffuse<\/p>\n\n\n\n

Non-flat<\/p>\n\n\n\n

Non-sharp<\/p>\n\n\n\n

Nonvocalic<\/a><\/p>\n\n\n\n

O<\/h2>\n\n\n\n
\n\n\n\n

Open<\/p>\n\n\n\n

Open2<\/p>\n\n\n\n

Open3<\/p>\n\n\n\n

Open4<\/p>\n\n\n\n

Open5<\/p>\n\n\n\n

Open6<\/p>\n\n\n\n

Oral<\/a><\/p>\n\n\n\n

Orality<\/a><\/p>\n\n\n\n

P<\/h2>\n\n\n\n
\n\n\n\n

Palatalized<\/p>\n\n\n\n

Pharyngeal<\/p>\n\n\n\n

Phonological feature<\/a><\/p>\n\n\n\n

Pitch Features<\/p>\n\n\n\n

Place<\/p>\n\n\n\n

Place Features<\/p>\n\n\n\n

Place Node<\/p>\n\n\n\n

Plain<\/a><\/p>\n\n\n\n

Plain Flat<\/p>\n\n\n\n

Plain Sharp<\/p>\n\n\n\n

Pressure<\/a><\/p>\n\n\n\n

Privative<\/p>\n\n\n\n

Prosodic Features<\/a><\/p>\n\n\n\n

Q<\/h2>\n\n\n\n
\n\n\n\n

Quantity Features<\/p>\n\n\n\n

R<\/h2>\n\n\n\n
\n\n\n\n

Radical<\/p>\n\n\n\n

Redundant Features<\/a><\/p>\n\n\n\n

Release Features<\/p>\n\n\n\n

Resonance Features<\/a><\/p>\n\n\n\n

Retracted Tongue Root (RTR)<\/p>\n\n\n\n

Rhotacized<\/p>\n\n\n\n

Rising Pitch<\/p>\n\n\n\n

Round<\/a><\/p>\n\n\n\n

Rounded<\/a><\/p>\n\n\n\n

S<\/h2>\n\n\n\n
\n\n\n\n

Saturated<\/a><\/p>\n\n\n\n

Secondary Consonantal Source Features<\/a><\/p>\n\n\n\n

Segment<\/a><\/p>\n\n\n\n

Sharp<\/a><\/p>\n\n\n\n

Sibilant<\/p>\n\n\n\n

Slack Vocal Cords<\/p>\n\n\n\n

Soft Palate Features<\/p>\n\n\n\n

Sonorant<\/a><\/p>\n\n\n\n

Sonority Features<\/p>\n\n\n\n

Sonorant Voice<\/p>\n\n\n\n

Source Features<\/p>\n\n\n\n

SPE<\/em> Feature System<\/a><\/p>\n\n\n\n

Spread Glottis<\/p>\n\n\n\n

Stiff Vocal Cords<\/p>\n\n\n\n

Stop<\/p>\n\n\n\n

Stress<\/a><\/p>\n\n\n\n

Stressed<\/a><\/p>\n\n\n\n

Strident<\/a><\/p>\n\n\n\n

Suction<\/a><\/p>\n\n\n\n

Supralaryngeal<\/p>\n\n\n\n

Syllabic<\/p>\n\n\n\n

T<\/h2>\n\n\n\n
\n\n\n\n

Tense<\/a><\/p>\n\n\n\n

Tonality<\/p>\n\n\n\n

Tone Features<\/p>\n\n\n\n

Tongue Blade Features<\/p>\n\n\n\n

Tongue Body Features<\/p>\n\n\n\n

Tongue Root Features <\/p>\n\n\n\n

Trill<\/p>\n\n\n\n

U<\/h2>\n\n\n\n
\n\n\n\n

Unary<\/p>\n\n\n\n

Unchecked<\/a><\/p>\n\n\n\n

Unvoiced<\/p>\n\n\n\n

V<\/h2>\n\n\n\n
\n\n\n\n

Velaric<\/p>\n\n\n\n

Velaric Pressure<\/p>\n\n\n\n

Velaric Suction<\/p>\n\n\n\n

Vocalic<\/a><\/p>\n\n\n\n

Vocoid<\/p>\n\n\n\n

Voice<\/a><\/p>\n\n\n\n

Voiceless<\/a><\/p>\n\n\n\n

Vowel<\/p>\n\n\n\n

V-place<\/p>\n\n\n\n

W<\/h2>\n\n\n\n
\n\n\n\n

Wide<\/p>\n","protected":false},"excerpt":{"rendered":"

A B C D E F G H I J L M N O P Q R S T U […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=131"}],"version-history":[{"count":68,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":727,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/pages\/131\/revisions\/727"}],"wp:attachment":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}