{"id":417,"date":"2025-06-17T22:36:27","date_gmt":"2025-06-18T02:36:27","guid":{"rendered":"https:\/\/atomsofsound.org\/?p=417"},"modified":"2025-06-18T08:05:37","modified_gmt":"2025-06-18T12:05:37","slug":"voice","status":"publish","type":"post","link":"https:\/\/atomsofsound.org\/?p=417","title":{"rendered":"Voice"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center has-x-large-font-size\" style=\"margin-top:0.25em;margin-bottom:1em\">[voice]<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2f3bedad wp-block-columns-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:var(--wp--preset--spacing--80);padding-bottom:0;padding-left:var(--wp--preset--spacing--80)\">\n<div class=\"wp-block-column is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-style:none;border-width:0px;border-radius:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Counterpart<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/atomsofsound.org\/?p=326\" data-type=\"post\" data-id=\"326\">[voiceless]<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-style:none;border-width:0px;border-radius:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Feature System<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/atomsofsound.org\/?p=366\" data-type=\"post\" data-id=\"366\">Jakobsonian Features<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Definition<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">The feature [voice] is used to describe sounds that are made when the vocal tract is in a neutral position and the vocal cords vibrate as air moves through them (Chomsky &amp; Halle 1968:326-327).&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">Purpose<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The feature [voice] is used to demonstrate how physical differences in the vocal tract manifest acoustically. \u201c[T]he glottis can be closed to a greater or lesser degree; the vibrations of the vocal cords can be of different amplitude; and the phase at which they begin can cease or vary. Thus, the glottis is capable of producing diverse nuances in the matter of consonantal voicing, but only the opposition \u2018presence vs. absence of voicing\u2019 is utilized to differentiate word meanings\u201d (Jakobson 1949:422-423).<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">History<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The features [voice] and [<a href=\"https:\/\/atomsofsound.org\/?p=326\" data-type=\"post\" data-id=\"326\">voiceless<\/a>] were introduced by Jakobson and Lotz in 1949, though not as distinctive features. They were used to describe the [<a href=\"https:\/\/atomsofsound.org\/?p=263\" data-type=\"post\" data-id=\"263\">tense<\/a>] vs. [<a href=\"https:\/\/atomsofsound.org\/?p=355\" data-type=\"post\" data-id=\"355\">lax<\/a>] opposition. \u201cThe tense consonants (vs. lax) demand not only stiffened walls but also a stronger airstream: they are fortes <em>vs.<\/em> lenes. The fortes, when not followed by lenes, are voiceless, and the lenes, except before fortes, are voiced\u201d (Jakobson &amp; Lotz 1949:430).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Both [voiced] and [voiceless] were introduced as oppositional distinctive features in 1952 by Jakobson, Fant, and Halle. They called [voice] phonemes \u201cbuzz\u201d phonemes and [voiceless] phonemes \u201chiss\u201d phonemes. They note that the \u201cmost striking manifestation of \u2018voicing\u2019 is the appearance of a strong low component which is represented by the voice bar along the base line of the spectrogram\u201d (Jakobson et al. 1952:26).&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Lombardi (1991) argues that laryngeal features are privative because phonological rules do not tend to target [-voice], given the assumptions of underspecification in phonological derivations and neutralization outputs (Lombardi 1991:2-3). For some scholars, [-voice] or [voiceless] is obsolete, being simply in the laryngeal node in feature geometry and having no dependent features (Lombardi 1991:35).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:30px\">References<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Chomsky, Noam; and Morris Halle. 1968. <em>The sound pattern of English<\/em>. New York: Harper and Row.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman. 1949. On the identification of phonemic entities. <em>Travaux du Cercle Linguistique de Copenhague<\/em> 5.205-213. Reprinted in 1962 in <em>Selected writings: Vol. 1: Phonological studies<\/em>, ed. by Roman Jakobson, 418-425. \u2019S-Gravenhage: Mouton.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman; and John Lotz. 1949. Notes on the French phonemic pattern. <em>Word<\/em> 5.151-158. Reprinted in 1962 in <em>Selected writings: Vol. 1: Phonological studies<\/em>, ed. by Roman Jakobson, 426-434. \u2019S-Gravenhage: Mouton.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman; Gunnar Fant; and Morris Halle. 1952. <em>Preliminaries to speech analysis: The distinctive features and their correlates.<\/em> (MIT Acoustic Laboratory Technical Report 13). Cambridge, MA: MIT Press.&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Lombardi, Linda. 1991. <em>Laryngeal features and laryngeal neutralization<\/em>. Doctoral dissertation, University of Massachusetts, Amherst. [Published by Garland, New York, 1994.]<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:30px\">Further Reading<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Allen, B. C. 2016. <em>Laryngeal Phonetics and Phonology in Germanic<\/em>. Madison, WI: University of Wisconsin-Madison dissertation.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:25px\">Author<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ainsley Graf<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[voice] Counterpart [voiceless] Feature System Jakobsonian Features Definition The feature [voice] is used to describe sounds that are made when [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"disabled","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-417","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=417"}],"version-history":[{"count":3,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/417\/revisions"}],"predecessor-version":[{"id":485,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/417\/revisions\/485"}],"wp:attachment":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}