{"id":445,"date":"2025-06-17T23:19:54","date_gmt":"2025-06-18T03:19:54","guid":{"rendered":"https:\/\/atomsofsound.org\/?p=445"},"modified":"2026-06-26T10:52:53","modified_gmt":"2026-06-26T14:52:53","slug":"grave","status":"publish","type":"post","link":"https:\/\/atomsofsound.org\/?p=445","title":{"rendered":"Grave"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center has-x-large-font-size\" style=\"margin-top:0.25em;margin-bottom:1em\">[grave]<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2f3bedad wp-block-columns-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:var(--wp--preset--spacing--80);padding-bottom:0;padding-left:var(--wp--preset--spacing--80)\">\n<div class=\"wp-block-column is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-style:none;border-width:0px;border-radius:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Counterpart<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/atomsofsound.org\/?p=447\" data-type=\"post\" data-id=\"447\">[acute]<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-style:none;border-width:0px;border-radius:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Feature System<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/atomsofsound.org\/?p=366\" data-type=\"post\" data-id=\"366\">Jakobsonian Features<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Definition<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">The feature [grave] is formed through an undivided and expanded buccal resonator with contracted pharyngeal and labial orifices (Jakobson &amp; Lotz 1949:429).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">The [grave] sounds are defined by the predominance of the lower register formant of the spectrum over the upper, especially to the detriment or elimination of the latter (Jakobson, Fant, &amp; Halle 1952:29).<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">Purpose<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The feature [grave] is used to distinguish between the front and back vowel sounds, with front vowels being higher pitched and therefore <a href=\"https:\/\/atomsofsound.org\/?p=447\" data-type=\"post\" data-id=\"447\">[acute]<\/a>, and back vowels generally having lower pitches, and thus being [grave].<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Among consonants, the gravity feature distinguishes &#8216;peripheral&#8217; consonants which are [grave], from &#8216;central&#8217; consonants which are [acute]. Peripheral consonants are those which are articulated at the peripheries of the oral tract, namely labials and velars; central consonants include dentals, alveolars and palatals.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">However, evidence for a natural class of \u2018grave\u2019 consonants was sparse as the feature united largely unrelated groups of sounds, such as back vowels and peripheral consonants. See Ku\u010dera (1967) for additional information regarding how [+grave] operates similarly to SPE\u2019s [-coronal] and [-grave] operates like [+coronal].<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">History<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">First introduced<strong> <\/strong>by Jakobson &amp; Lotz (1949:427-431), in the first <a href=\"https:\/\/atomsofsound.org\/?p=366\" data-type=\"post\" data-id=\"366\">Jakobsonian Feature System<\/a>, which defined the distinctive features of the thirty-six French phonemes. Jakobson and Lotz note within the 1949 paper&nbsp; that only vocalic, or mixed vowels, actually occur, indicative of the lack of distinctiveness this proposed distinctive feature actually had (429).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Both [grave] and [acute] were still used in Jakobson, Fant, &amp; Halle (1952:29) despite their rejection of some of their other early features, indicating the continued desire to find distinction in phonemic sound based on the position of formants in the register.<br>Both [grave] and its counterpart were excluded from <em>The sound pattern of English<\/em> system of phonological features, and fell out of common use as the <em>SPE<\/em> features came into prominence. Features previously described by [grave] were subsumed into the <a href=\"https:\/\/atomsofsound.org\/?p=332\" data-type=\"post\" data-id=\"332\">[back]<\/a> feature in the <a href=\"https:\/\/atomsofsound.org\/?p=419\" data-type=\"post\" data-id=\"419\"><em>SPE<\/em> feature system<\/a> however this process redivided [grave] and [acute] and neither is accurately described as becoming an <em>SPE<\/em> feature. Therefore, this binary is largely considered obsolete and is no longer in common usage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">NOTE: Although Jakobson (1931\/1962) used the terms flat, non-flat, grave, and acute (1962:224), Qu (2021:164-165) showed that in the translation from Czech to English, Jakobson took the opportunity to incorporate some anachronistic terms.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:30px\">References<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Chomsky, Noam &amp; Morris Halle. 1968. The sound pattern of English. New York: Harper &amp; Row.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman. 1931. Z fonologie spisovn\u00e9 sloven\u0161tiny.&nbsp;<em>Slovensk\u00e1 miscellanea,<\/em>&nbsp;ed. by Josef Jir\u00e1sek, and Franti\u0161ek Tich\u00fd, 155-163. Bratislava: Universum.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman. 1962. Phonemic notes on standard Slovak.&nbsp;<em>Selected writings, vol. I: Phonological studies<\/em>, 221-230. \u2018S-Gravenhage: Mouton.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman &amp; John Lotz. 1949. Notes on the French phonemic pattern. Word 5.151-158. Reprinted in Jakobson (1962: 426-434).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman, Gunnar Fant &amp; Morris Halle. 1952. Preliminaries to speech analysis: the distinctive features and their correlates. (MIT Acoustic Laboratory Technical Report 13). Cambridge, MA: MIT Press.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Qu, Changliang. 2021. Roman Jakobson\u2019s forgotten Czech articles on phonology: A case of avoiding anachronism in linguistic historiography.\u00a0<em>RUS: Revista de Literatura e Cultura Russa\u00a0<\/em>12(19).154-170.\u00a0<a href=\"https:\/\/doi.org\/10.11606\/issn.2317-4765.rus.2021.186465\">https:\/\/doi.org\/10.11606\/issn.2317-4765.rus.2021.186465<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:30px\">Further Reading<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Hyman, Larry M. 1973. The feature [grave] in phonological theory. <em>Journal of Phonetics<\/em>, pp 1.329-337.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Ku\u010dera, Henry. 1967. Distinctive features, simplicity, and descriptive adequacy. <em>To honor Roman Jakobson: Essays on the occasion of his seventieth birthday, 11 October, 1966 Volumes I-III<\/em>, pp.1114-1126: The Hague: Mouton.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:25px\">Author<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Michael Boehmcke<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Note by Paul Fallon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[grave] Counterpart [acute] Feature System Jakobsonian Features Definition The feature [grave] is formed through an undivided and expanded buccal resonator [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-445","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=445"}],"version-history":[{"count":4,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/445\/revisions"}],"predecessor-version":[{"id":688,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/445\/revisions\/688"}],"wp:attachment":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}