{"id":476,"date":"2025-06-18T08:02:45","date_gmt":"2025-06-18T12:02:45","guid":{"rendered":"https:\/\/atomsofsound.org\/?p=476"},"modified":"2025-06-18T08:02:45","modified_gmt":"2025-06-18T12:02:45","slug":"noncoronal","status":"publish","type":"post","link":"https:\/\/atomsofsound.org\/?p=476","title":{"rendered":"Noncoronal"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center has-x-large-font-size\" style=\"margin-top:0.25em;margin-bottom:1em\">[noncoronal]<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2f3bedad wp-block-columns-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:var(--wp--preset--spacing--80);padding-bottom:0;padding-left:var(--wp--preset--spacing--80)\">\n<div class=\"wp-block-column is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-style:none;border-width:0px;border-radius:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Counterpart<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/atomsofsound.org\/?p=322\" data-type=\"post\" data-id=\"322\">[coronal]<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-style:none;border-width:0px;border-radius:0px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Feature System<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/atomsofsound.org\/?p=419\" data-type=\"post\" data-id=\"419\"><em>SPE <\/em>Features<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Definition<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">The feature [noncoronal] is used to describe sounds that are \u201cproduced with the blade of the tongue in the neutral position\u201d (Chomsky &amp; Halle 1968:304). Sounds produced with the tongue dorsum, rather than the tongue front (i.e., velars and uvulars), are also considered to be [noncoronal] (Hall 1997:4).<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">Purpose<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The feature [noncoronal] creates the natural class of labials and velars (Hall 1997:4-5).<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">History<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson and Lotz (1949) proposed the opposition [<a href=\"https:\/\/atomsofsound.org\/?p=445\" data-type=\"post\" data-id=\"445\">grave<\/a>] vs. [<a href=\"https:\/\/atomsofsound.org\/?p=447\" data-type=\"post\" data-id=\"447\">acute<\/a>]. The feature [grave] was characterized by the \u201cpre-dominance in the lower formant, with a feebleness or a complete lack of higher components in the spectrum\u2026[and] is due to an undivided and more extensive buccal resonator with contracted pharyngeal and labial orifices\u201d (Jakobson &amp; Lotz 1949:429). Later, Jakobson, Fant, &amp; Halle (1952) describe the articulation of [grave] as being \u201cgenerated by a larger and less comparted mouth cavity\u201d (Jakobson et al. 1952:30).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">When [grave]\/[acute] is replaced by [<a href=\"https:\/\/atomsofsound.org\/?p=322\" data-type=\"post\" data-id=\"322\">coronal<\/a>]\/[noncoronal] by Chomsky and Halle (1968), they characterize [noncoronal] sounds as being \u201cproduced with the blade of the tongue in the neutral position\u201d (Chomsky &amp; Halle 1968:304).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Sagey (1986) argues that, in feature geometry, [coronal] falls under the articulator (place) node as one of three main features, with dependents of [<strong>anterior<\/strong>] and [<strong>distributed<\/strong>]. The feature [coronal] is now widely considered a privative feature. \u201cIn order to capture the natural class of labials and velars (i.e., the noncoronals) [Hall claims] that [labial] and [dorsal] are dominated by the privative feature [peripheral]\u201d (Hall 1997:22). The general abolition of [noncoronal] is due to the evidence that any class of [noncoronal]\/[-coronal] can be accounted for using other explanations.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:30px\">References<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Chomsky, Noam; and Morris Halle. 1968. <em>The sound pattern of English<\/em>. New York: Harper and Row.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Hall, T. Alan. 1997. <em>Phonology of Coronals<\/em>. Amsterdam: John Benjamins Publishing Company.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman; and John Lotz. 1949. Notes on the French phonemic pattern. <em>Word<\/em> 5.151-158. Reprinted in 1962 in <em>Selected writings: Vol. 1: Phonological studies<\/em>, ed. by Roman Jakobson, 426-434. \u2019S-Gravenhage: Mouton.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobson, Roman; Gunnar Fant; and Morris Halle. 1952. <em>Preliminaries to speech analysis: The distinctive features and their correlates.<\/em> (MIT Acoustic Laboratory Technical Report 13). Cambridge, MA: MIT Press.&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Sagey, Elizabeth. 1986. <em>The representation of features and relations in nonlinear phonology<\/em>. Cambridge, MA: MIT dissertation. Published in 1991 by Garland Press.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:30px\">Further Reading<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Hall, T. A. 2011. Coronals. <em>The Blackwell Companion to Phonology<\/em>, vol. 1. General issues and segmental phonology, ed. by Marc van Oostendorp et al., [1-287]. Malden, MA: Blackwell.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:25px\">Author<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ainsley Graf<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[noncoronal] Counterpart [coronal] Feature System SPE Features Definition The feature [noncoronal] is used to describe sounds that are \u201cproduced with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"disabled","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-476","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=476"}],"version-history":[{"count":2,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/476\/revisions"}],"predecessor-version":[{"id":480,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/476\/revisions\/480"}],"wp:attachment":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}