{"id":599,"date":"2026-06-16T15:44:08","date_gmt":"2026-06-16T19:44:08","guid":{"rendered":"https:\/\/atomsofsound.org\/?p=599"},"modified":"2026-06-16T16:11:21","modified_gmt":"2026-06-16T20:11:21","slug":"low","status":"publish","type":"post","link":"https:\/\/atomsofsound.org\/?p=599","title":{"rendered":"low"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center has-x-large-font-size\">[low]<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2f3bedad wp-block-columns-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:var(--wp--preset--spacing--80);padding-bottom:0;padding-left:var(--wp--preset--spacing--80)\">\n<div class=\"wp-block-column has-border-color has-ast-global-color-5-border-color is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-width:1px;border-radius:10px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Counterpart<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\">[nonlow]<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-border-color has-ast-global-color-5-border-color is-layout-constrained wp-container-core-column-is-layout-4c96c1b2 wp-block-column-is-layout-constrained\" style=\"border-width:1px;border-radius:10px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<h3 class=\"wp-block-heading has-text-align-center\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Feature System<\/h3>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong><a href=\"https:\/\/atomsofsound.org\/?p=419\" data-type=\"post\" data-id=\"419\">SPE Features<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Definition<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The feature [+low] describes phones produced while lowering the tongue body below the level that it maintains in the neutral position, which is raised and fronted.&nbsp; Sounds that are [-high] or nonhigh exhibit no such raising.&nbsp; Sounds cannot be [+low] and [+high] simultaneously because the tongue cannot be lowered and raised in unison (Chomsky &amp; Halle 1968:304).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">For the use of [low] as a tonal feature, see <a href=\"https:\/\/atomsofsound.org\/?p=599\" data-type=\"post\" data-id=\"599\">[low tone]<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">Purpose<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The feature [low] aims to \u201ccharacterize the placement of the body of the tongue\u201d in the oral cavity (Chomsky &amp; Halle 1968:304).&nbsp; Among vowels, it distinguishes low vowels from mid and high vowels.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">In Chamorro (Topping 1968, Kenstowicz &amp; Kisseberth 1979:62-65), the low vowels \/\u00e4\/ and \/a\/ neutralize to [\u0259] when unstressed, while front vowels \/i, e\/ alternate with [\u026a], and \/u, o\/ alternate with [\u028a] when unstressed, e.g. <em>d\u00e1g\u028a<\/em> \u2018yam\u2019 and <em>i d\u0259\u0261\u00fahu<\/em> \u2018my yam\u2019.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">&nbsp;Furthermore, [low] characterizes pharyngeal sounds, which involve a relatively low tongue position, contrasting with consonants articulated with a higher tongue body position.&nbsp; This predicts a patterning of these sounds along with low vowels, and we find this in the lowerin\u0261 of Classical Arabic <em>i <\/em>lowered to <em>a<\/em> in the environment of a pharyngeal consonant, e.g. (Brame 1970:161). We also see<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">this in Tiberian Hebrew\u2019s rule of Guttural Lowering, in which any vowel followed by a tautosyllabic pharyngeal lowers to a, e.g. \/\u0161ame\u0295\/ \u27f6 [\u0161a\u02d0ma\u0295] \u2018he<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">heard\u2019 (McCarthy 1994:211-212). Kenstowicz &amp; Kisseberth (1979:250) note<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">the phonetic inappropriateness of using [low] for low tongue position in glottals<em>\u0294<\/em> and <em>h<\/em>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-large-font-size\">History<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jakobsonian features employed [grave], [compact], and [diffuse] to describe both vowels and consonants.&nbsp; [diffuse] described vowels and consonants in regard to height and anteriority.&nbsp; Chomsky and Halle (1968) considered this too radical an approach, and thus introduced the distinctive feature [low] to describe tongue body placement as a replacement for [compact] (Chomsky &amp; Halle 1968:306-307).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" style=\"font-size:30px\">References<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Brame, Michael K. 1970. <em>Arabic phonology: Implications for phonological theory and historical Semitic<\/em>. Cambridge, MA: MIT dissertation.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Chomsky, Noam; and Morris Halle. 1968. <em>The sound pattern of English<\/em>. New York: Harper and Row.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Kenstowicz, Michael, and Charles Kisseberth. 1979. <em>Generative phonology:<\/em> <em>Description and theory.<\/em> San Diego: Academic Press.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">McCarthy, John. 1994. The phonetics and phonology of Semitic pharyngeals<em>.<\/em>  <em>Phonological structure and phonetic form: Papers in Laboratory Phonology III<\/em>, ed. by Patricia A. Keating, 191-233. Cambridge: Cambridge University Press.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Topping, Donald. 1968. Chamorro vowel harmony. <em>Oceanic Linguistic<\/em>s 7.67-69.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\">Further Reading<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Rice, Keren. 2002. Vowel place contrasts. <em>Language universals and variation<\/em>, ed. by Mengistu, Amberber, and Peter Collins, 239-269. Westport, CT: Praeger.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-medium-font-size\">Author<\/h2>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Allon Boettcher<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[low] Counterpart [nonlow] Feature System SPE Features Definition The feature [+low] describes phones produced while lowering the tongue body below [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"disabled","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-599","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=599"}],"version-history":[{"count":2,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/599\/revisions"}],"predecessor-version":[{"id":614,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=\/wp\/v2\/posts\/599\/revisions\/614"}],"wp:attachment":[{"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atomsofsound.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}